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Work

I
Geometrics of a Basic Economic UnitThe courier, motorcycle, and armor meld into a single kinetic form. Flesh and engine blur — a portrait of speed, labor, and transformation in a rapid city. 


Rice paper, sheet metal, tape.
Andrea Hunt x Alberto Ortega Trejo
Geometrics of a Basic Economic Unit, 2024. Beijing CN.



II
Like A Flower We Will Dry Upon The Earth A poetic report on water management in Mexico’s Central Valley, tracking the state’s representation of indigeneity through the making of México City’s sewage system.


Drone Footage: Lumbrera 5, Deep Sewage Monument, Grand Drainage Canal.
Andrea Hunt x Alberto Ortega Trejo
The Waters Run Murky, 2021. Buenos Aires AR.

Trailer: The World Below.
Andrea Hunt x Alberto Ortega Trejo
The Waters Run Murky, 2021. Buenos Aires AR.



III
A Masterplan for Hunnu City, Mongolia A blurry, psychic, humming urban vision for Ulaanbaatar’s built companion. 


Views on urban cores, open steppes, and in-betweens. Team 15; ALA, 2025. Ulaanabataar MN.




IV
Gropius MeAn eros on practice and delirium — candid fetishizations of architectures — (x.) “architourism” — during the 2018 Venice Architecture Biennale by architects, designers, and artists.


Co-stars: Faysal Altunbozar, Kekeli Sumah, Daniel Salamanca, Xavier Robles Armas.
Gropius Me, 2018. Venice IT.


V
Water SourceA remote, forested water maintenance station geared towards arts experimentation.


Exterior views. Cuenca, 2025. Erdaobaihe CN.




VI
This Lovely Palace Brings Such Joy A translation of the presence and legacy of two urban objects of opposite scale implemented during Soviet-era urban renewal in Warsaw, Poland.


Various objects and texts.
This Lovely Palace Brings Such Joy, 2019. Chicago USA.

PDF
        One —a public domestic object— and the other —a monumental tower— are placed into dialog to question cultural production, state-making, and joy in architecture and urban design.

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